Afterimages, 2023
 
A series of images silkscreened in silver ink on the walls throughout Full of Days, Kunsthal Charlottenborg’s anniversary exhibition curated by Francesca Astesani and Julia Rodrigues. The pictures reproduce eight art-historically relevant pieces that have been displayed at the halls of Charlottenborg – or have been rejected from them – over the past 140 years.
 
Oda Krohg, Japansk Lykt (Japanese Lamp) 1886, Den Norske Udstilling, Charlottenborg Udstillingsbygning 1905 / Nasjonalmuseet, Oslo
 
Marina Abramović, Art Must Be Beautiful/Artist Must Be Beautiful, 1975, Kvindeudstillingen, Charlottenborg Udstillingsbygning 1975 / Statens Museum for Kunst, Copenhagen
 
Mike Kelley and Paul McCarthy, An Architecture Composed of the Paintings of Richard Powers and Francis Picabia 1997, Display, Charlottenborg Udstillingsbygning 1997 / Statens Museum for Kunst, Copenhagen
 
Edvard Munch, Måneskinn (Moonlight) 1895, Den Norske Udstilling, Charlottenborg Udstillingsbygning 1905 / Nasjonalmuseet, Oslo
 
Lisbeth Munch Petersen, Keramik (Ceramic) 1960, Forårsudstillingen, Charlottenborg Udstillingsbygning 1960, Private collection
 
Vilhelm Hammershøi, En ung pige, der syr (Young Girl Sewing) 1887. Rejected by the jury at Forårsudstillingen, Charlottenborg Udstillingsbygning 1888 / Ordrupgaard, Charlottenlund
 
Anna Ancher, Pigen i køkkenet (Girl in the Kitchen) 1883, Forårsudstillingen, Charlottenborg Udstillingsbygning 1885 / Den Hirschsprungske Samling, Copenhagen
 
Isa Genzken, New Buildings for Berlin#3 2001, My Head is on Fire, but my Heart is full of Love, Charlottenborg Udstillingsbygning 2002 / Private collection

Afterimage, Marina Abramović, Art Must Be Beautiful/Artist Must Be Beautiful, 1975, Kvindeudstillingen, Charlottenborg Udstillingsbygning 1975 / Statens Museum for Kunst, Copenhagen, Photo: David Stjernholm

Afterimages, Marina Abramović, Art Must Be Beautiful/Artist Must Be Beautiful, 1975, Kvindeudstillingen, Charlottenborg Udstillingsbygning 1975 / Statens Museum for Kunst, Copenhagen